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REEL04
SCENEMovie Review
TAKE10.10.26
RUNTIME3 min read

Reporting Live Review: Parineeti’s 3.0/5 Sand-Mining Drama

Parineeti Chopra leads a rare Hindi film look at illegal sand mining; Bollywood Hungama rates Reporting Live 3.0/5 for a sincere but flawed drama.

A 3.0/5 sand-mining drama worth watching

Reporting Live takes a real-world problem—illegal sand mining—and turns it into a reporter-led investigation. Bollywood Hungama rates the film 3 out of 5, calling it a hard-hitting investigative drama with a sincere spine and a few visible cracks.

A bridge collapse, a reporter and a village in denial

Parineeti Chopra plays Sandhya Yadav, a reporter for Mumbai news channel Azaad Bharati. She is sent to Visargaon in Maharashtra after a bridge collapses and a school bus falls with it, killing 14 children. The villagers, and even a local minister, blame a solar eclipse. Sandhya and her cameraman Vinod Sharma (Deven Bhojani) keep digging after Shiva (Amol Palekar) and Mangesh (Pitobash Tripathy) say the collapse was caused by illegal sand mining.

Excess sand removal weakens the bridge’s foundation in the film’s simple explanation. Sandhya and Vinod gather evidence despite threats from sand mafia goons. The report airs and arrests follow, but mining resumes and pressure builds on the channel to remove the story.

What works in Reporting Live

  • Parineeti Chopra delivers a hard-hitting but nuanced performance, though the review argues a younger actor may have fit Sandhya’s idealism better.
  • Deven Bhojani is aptly cast and holds his own in key scenes.
  • Amol Palekar leaves a memorable mark, while Adil Hussain and Shekhar Suman are dependable.
  • The background score is chilling and the edit is sharp.

Director Dhruv Tripathi gets credit for balancing a large cast and making each actor count. A few sequences stand out: the tea-stall confrontation, a heated newsroom argument, and the climax all carry weight.

Where the screenplay loses steam

Bollywood Hungama points out that the film opens with a chilling moment before flashing back, which makes a crucial development easier to predict. The review also flags a logic gap: Sandhya could have asked for CCTV footage to identify who entered her house, but the film does not explore that option. And while the film explains illegal sand mining clearly, it never shows how the practice can be prevented.

The songs are forgettable, and the VFX in the bridge collapse could have been stronger.

Why this review matters for Bollywood fans

Hindi cinema rarely makes illegal sand mining the spine of a film, so Reporting Live has novelty. More importantly, the review says the film exposes how cops, politicians, IAS officers and media bosses look away for vested interests. But it also refuses to paint everyone with the same brush—there are honest officers and journalists in its world. That balance makes the message stick without becoming a lecture.

After Shaque: Trust No One, Parineeti Chopra gets another hard-hitting role, but this time the drama is grounded in a rural system failure rather than urban paranoia. If you enjoy issue-led social dramas and ensemble performances, keep Reporting Live on your radar. Just do not expect a tight thriller or a how-to guide on fixing illegal sand mining.

Source: bollywoodHungama.com

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